Entries Tagged as 'Television'

“Bionic Woman” (2007)

Anne says:

Michelle Ryan is Jaimie SummersIf you are of a certain age (over 30) and of a certain persuasion (geeky), you probably remember The Bionic Woman the softer-core peddling of American values designed to capture the female 15 and under audience that was being lost by The Six Million Dollar Man in 1976. A quick recap to freshen the memory for those of you with out the auto-geek switch.

The show’s central conceit wasn’t the bionic replacement of limbs and organs – the melding of human tissue with computer technology in an age when the average computer filled a 9′x12′ room – nor was it the idea that a government agency could be fielding operatives who were using experimental technology to achieve slightly shady mission objectives. After all, we’d just come off the Watergate Hearings so the idea that our government was doing something we didn’t know about seemed not only plausible but damn likely. [Read more →]

“Afterlife” (2005)

Not just another ‘Medium’ clone.

So, I was in NYC over New Years’ and I was pimping my friend’s VOD Digital cable and I came across this show, ‘Afterlife‘ and thought I’d give it a shot. Apparently it was broadcast in the UK starting in 2005 and has gotten play on Australia’s Channel 9 before comig to BBC America.

Knowing little the show’s premise and having missed the first episode (it had expired off of the system) I gave the show a look. Very interesting. Though the show’s got many of the trappings of Patricia Arquette’s co-evolved show (both premiered in 2005) Ms. Sharpe’s drama is played very differently… [Read more →]

“Dirty Sexy Money” (2007)

ABC’s ‘Dirty Sexy Money‘ is ‘The Royal Tenenbaums‘ meets ‘Six Feet Under‘ by way of ‘Californication‘, but with a cast 2x as large as any of its predecessors.

Money is a bright, new turn for Peter Krause, who was about to be eclipsed by his former co-star, Michael C. Hal and his triumph in Showtime’s ‘Dexter’. Money is the kind of comedy that wouldn’t have made it to network television as little as 4 years ago –there are ‘too many’ characters, the show is ‘too high concept’ and and the only audience it could entertain is the well-educated and firmly middle- to upper-class people familiar with the idea of middle-aged trust fund babies. [Read more →]

“Heroes” (2006)

'Heroes'O.k., it’s been on for 2 months and I was initially non-plussed when I saw a preview back at the end of August.

As ‘Unbreakable:The Series’, I was sure it would be cancelled before October, but it’s managed to hold on, and gain my attention, in part owing to my brother retuning from Europe and taking an immediate interest.

Personally, I’m not invested in the drug-addicted (cliché) artist, though his dealer is a hottie. And the A.D.A.-turned-politician (played by Adrian Pasdar) is as much a non-entity as is his brother, the lover of the art-dealing hottie. OTOH, what’s drawn me into the show are a number of tertiary characters — specifically Charlie, the Odessa TX waitress that Hiro time-travels 6 months into the past to try to save from Sylar the Hero killer. And Claire the cheerleader daughter of the would-be bad guy with the horn-rimmed glasses calling the shots for all of the mind-controlling hero-types. [Read more →]

‘Frankenstein:The True Story’ (1973)

After 33 years in obscurity, an important adaptation is finally released on DVD.

Frankenstein: The True Story‘ (1973) was Originally broadcast over 2 nights back in 1973. ‘Frankenstein: TTS‘ starred James Mason, Michael Sarrazin, David McCallum, Ralph Richardson, John Gielgud, Leonard Whiting, Jane Seymour and Agnes Moorehead, was directed by Jack Smight and written by Christopher Isherwood, the writer of ‘Cabaret‘ (1972). This filmisation is widely acknowledged to be the most faithful of adaptations, outshining even Kenneth Branagh’s 1994 ‘Mary Shelley’s Frankenstein‘. In fact, the Branagh version borrowed many themes from the 1973 Isherwood version without improving upon any of it.

Writer Isherwood, while being faithful to the source material was also comprehensive in his effort to do justice to the Frankenstein legacy by drawing heavily from not only the Shelley novel, but also elements of James Whale’s 1931 follow-up to ‘Frankenstein‘, ‘The Bride of Frankenstein‘ (1935). The film is daring in its presentation of Michael Sarrazin as the Creature, who evolves from a beautiful young man to an ugly homunculus as a result of his slow necrotization. Equally ambitious is Isherwood’s Pygmalion treatment of James Whale’s ‘Bride of Frankenstein‘, as Jane Seymour’s Prima evolves from a childlike tabula rasa to a full-blown debutante before her untimely demise. [Read more →]

“Century City” (2004)

The Lawyers of 2030

The Lawyers of 2030While I was hanging out in a DishTV household late last month, I had the opportunity to revisit 2004′s ‘Century City’ and see a few of its unaired 9 episodes on Universal’s HD satellite channel.

This is one show that shouldn’t have died as hard as it did. The show only lasted for 4 weeks, but it had tremendous potential. It wasn’t just a lawyer show, but a well considered piece of speculative fictiion, where they mulled the implications of science’s impact on our immediate future. One of the ongoing arcs concerned one of the attorneys who was the product of a government genetics program — she and her ‘siblings’ had been created without the ability to procreate, but as fully endowed and ‘free’ American citizens, it became an issue as to whether they should have access to technology that would allow them to have children. [Read more →]

“Hustle” (2004)

The best new show of 2006 is on AMC.

“WTF?!”, you say? AMC, the home of endless Charles Bronson repeats and forgettable PG-13 80′s crap?

Yes, THAT AMC.

Hustle stars Adrian Lester (‘Primary Colors‘), Robert Vaughn (‘The Man from U.N.C.L.E.’) and Marc Warren (‘The Vice’) in a hip, new British caper-show that resembles ‘Mission Impossible’ by way of ‘The Avengers’. In this case though, the protagonists are con-men.

Lester is the ringleader, while Warren and Vaughn provide support and newcomer Jaime Murray provides distraction as resident femme fatale Stacie Monroe.

In many ways Hustle is a throwback to those stealthy policiers of yesteryear, when we’d dally with Mrs. Peel and John Steed as roguish British agents. But unlike the craptacular tv-show remakes of the late ’90′s, Hustle is all about the writing. [Read more →]

“Space:Above and Beyond” now on DVD!

“Space: Above and Beyond” (1995)Whoah.

I don’t know any Kung-fu, but before there was a ‘Firefly’, a ‘Farscape’, an ‘Odyssey 5′, an ‘Enterprise’ or any widespread internet fan-campaigns to save tv shows, there was ‘Space: Above and Beyond‘. This show, in my estimation pretty much still outshines them all. Like ‘The X-Files’ this show appeared on the FOX networks during their formative years, however poor time-slotting (7pm) and numerous football pre-emptions speled its early demise.

The show was the brainchild of ‘X-Files’ and ‘Millenium’ veterans Glen Morgan and James Wong and it was launched as sort of a competitor to Paramount’s ‘Star Trek’ cash-cow. Though it was a great show and unfortunately crossed premises with Paul Veerhoven’s then-forthcoming ‘Starship Troopers‘. But S:AAB was its own special animal.

Imagine the grittiness of ‘Alien’ combined with some of the mortal aspects of Troopers. People die, all of the time — but there are no unisex shower scenes. [Read more →]

‘Global Frequency’ (2005)

Official cast photo for ‘Global Frequency’ (2005)So, I’ve just finished watching the best new show of 2005, one which will likely never be broadcast or see film beyond the pilot episode. That show is ‘Global Frequency’, based upon the comic book by Warren Ellis and a broad swath of illustrators.

‘Global Frequency’ is the name of an underground group that exists to save lives – from terrorist threats, leftover Cold War engines-of-destruction, biohazards and acts of God.

The is an ad hoc collection of 1,001 specialists – soldiers, linguists, scientists, engineers and doctors – the best at what they do, who make themselves available in times of crisis.

Since I’m just the kind of comic book geek that’ll pick up almost any new title written by people with the surname Ennis, Bendis, Vaughn and Straczynski, I checked this series out sometime last year. There were only 12 issues in the book’s entire run, and the sum of them has already been collected in two trade paperbacks. [Read more →]

‘One Way Out’ (2002)

‘No Way Out’ (2002)First things first – let’s lay out the dirty linen: I avoided this thing during normal waking hours, given the ‘noir’ log-line and the Jim Belushi principal. But between 3 and 5 am, this film was pure gold. Sometimes things just work out that way, especially if you miss the first 10-20 minutes, as I did; years of insomniac viewing have taught me that some beginnings are better missed than seen.

Such was my approach to ‘One Way Out’ – and it paid off.

How could I have expected Jim Belushi to pull off a Michael Chiklis-like transformation and play a corrupt cop, caught between a rock and a hard place? In fact, the performance is so compelling that it threw me off of the main arc of the plot: While the story may be a bit formulaic, Belushi’s performance is a wonderful distraction – I didn’t even see the denouement coming, until I was watching it on screen. [Read more →]