Entries Tagged as 'Horror'

‘Predators’ (2010)

I saw it and I was impressed. And I say that as someone who falls squarely on the Alien side of the fence when it comes to ’80s high-concept horror.

The problem with both previous Predator flicks were that there was very little high-concept. In both preceding entries (Predator and Predator 2), the Predators and the humans were on Earth.

In the first film, the Predators interrupted Arnold Schwarzenegger’s hunt for something or other, and in the sequel, they appeared in a very hot L.A. summer, getting in the way of a police investigation of some sort. In each, it is strictly humans vs. Predators. [Read more →]

‘Shutter Island’ (2010)

[WARNING:Uncharacteristically, this review is all SPOILERS, but this film is so well put together that you should consider my spoilers a feature, rather than a bug.]

Operation Paperclip Nazis working in criminal sanitariums off the coast of Washington State? Mind control? A WWII veteran and widower with PTSD? Visuals by David Lynch.

It’s 1951 in this film and the most unfortunate thing about Shutter Island is that Scorcese and writers Stephen Knight and Laeta Kalogridis decided that it’s okay not to make sense. They decide to just let go. Film is a visual experience and flourishes are flourishes, so why the fuck not? If your local cinemat can affor to spend $750k on a new 3D projection kit, you can sit and watch Martin Scorcese orchestrate some crazy in 2D. On Shutter Island, the Eater Eggs and Red Herrings run thick, wild and free. So wild, that you may want to pause and consider throwing a few back, before deciding which ones you want to take home to eat. [Read more →]

‘Pandorum’ (2009)

It’s unofficial, but the disappointment that was ‘Event Horizon’ (1997) now has a sequel.

The misguided mash-up that resulted in Hellraiser — in Space… by Executive producers Paul W.S. Anderson and Jeremy Bolt have now given us Alien-meets-Serenity-meets-The Descent-meets-Defying Gravity-meets-2001:A Space Odyssey-meets-The Abyss-meets-Cube-meets-Sunshine, allowing the worst aspects of each film a moment for a pirouette of inexplicability.  3 of those 7 movies had serious story problems.

Like the 4 different posters in the movie’s advertising campaign, the PR can’t seem to determine whether the movie is science-fiction, horror or something else completely. While that combination might sound somehow enervating, the fact is that where those producers missed with their horror-fied remake of Andrej Tarkovsky’s ‘Solaris’ is exactly where this duo have missed with ‘Pandorum’. [Read more →]

‘District 9′ (2009)

district_9 All the reports that I’ve read have said that director Neill Blomkamp and Wingnut Films elected to do ‘District 9′ while they were in a holding pattern while they were waiting on a green light from Microsoft to do a live-action adaptation of the Halo video-game.

Imagine a couple million dollars of filmmaking equipment, and empty studio and several tens of state-of-the-art technicians waiting on some Seattle lawyers, and you get the idea. though the film is a little more substantive than  that. [Read more →]

‘Hellraiser’ (1987)

Yeah, I saw this one during it’s theatrical release, back in 1987, and above all, I recall leaving the theater in desperate need of some mental hygene given the movie’s uncomfortable explorations of incest, S&M and the consequences of selling your soul.

While the franchise’s demons, the Cenobytes, appear within the film’s first 5 minutes, we only get a glimpse — they are by no means central to the story. Rather, Pinhead and the Cenobytes are simply the vehicles of hubris:The cenobytes both identify and punish those who are willing to overreach. Though the SciFi Channel insists that all genre movies reveal their creatures within the first 15 minutes, that formula — dictated by commercial requirements — is really irrelevant because ‘Hellraiser’ is an epic drama that circulates around Kirsty Cotton (Ashley Laurence) and her evil stepmother, Julia (Clare Higgins). [Read more →]

‘The Fog’ (1980/2005)

John Carpenter’s ‘The Fog‘ (1980) was, of course, one of seminal horror pictures of the 80′s. ‘The Fog’ was Carpenter’s third feature film to be followed by ‘Escape from New York’ in 1981 and his remake of ‘The Thing’ in 1982. Shot for $1 million 1980 dollars (300% the value of 2008 dollars) it would have made $63,000,000 if released today. [Read more →]

‘Shutter’ (2004/8)

Shutter‘(2008) is touted as a product of ‘the Executive Producers of ‘The Ring’ and ‘The Grudge’, but is the American audience’s memory so brief as to forget that only one of these American remakes was any good?

‘Shutter’ plays like ‘Ring 2′ ought to have. Back in 2005, I had hoped that the production team at DreamWorks would have done the smart thing and either followed the Japanese sequel or done the metatextual thing and paid homage to their source material by sending Rachel Keller East for a close-encounter with kwaidon — Japanese ghost stories. Unfortunately that didn’t happen. [Read more →]

‘Dead & Buried’ (1981)

First of all, credit is due to to the website where I discovered ‘Dead & Buried‘ (1981), the Video Nasties Project, which is a blog devoted to the exploration of the 79 B-movies that were banned by the British Nanny State after the explosion of the home video market in 1979.

A list of all 79 of the ‘banned’ movies is available here, but as we all know, because something is banned it doesn’t mean that college kids and high schoolers aren’t going to figure out a way to smuggle the item home from the Continent or a summer vacation in the US. [Read more →]

‘The Mist’ (2007)

Now don’t get me wrong, here — ‘The Mist‘ (2007) was adequately executed, beautifully shot and well cast, but Frank Darabont ought to have done more to haul the premise of Stephen King’s novella out of the ’50′s.

I used to be a King fan way, way back and read a good few of his books back in my junior HS days. I even followed some of his adaptations for a while — his adaptations from other people’s ideas and other people’s adaptations of his work — but that was before Frank Darabont started making his filmazations. [Read more →]

‘Cloverfield’ (2008)

‘Cloverfield’ (2008)Though its a sometimes-interesting exercise in high-concept mash-up (Godzilla-meets-Blair Witch, anyone?), ‘Cloverfield‘ really brings very little that’s new to the table.

Numerous reviewers have referred to ‘Cloverfield’ is horror for the Facebook generation, “because it’s not really happening unless it’s on videotape”. But to be more exact and closer to the point, ‘Cloverfield’ is authentic J-horror for Facebookii Americanus — J-horror made by and for narcissistic, web-ready American audiences. [Read more →]