Has anyone ever appraised this films as anything but a sunny Audrey Hepburn vehicle? It’s one hour and 55 minutes of dissonance. Audrey Hepburn and George Peppard play two characters who are, by all appearances middle class yuppies living in Manhattan during the early ’60s. But this would be a mistake.
In the eponymous Truman Capote novella it is clear that Holly is a high-end call girl and Paul a gigolo. Blake Edwards’ film supresses the gauche details by making Peppard and Hepburn squeaky clean.
The juxtaposition between who these two characters appear to be and how they earn their money percolates in and out of focus as the story proceeds: [Read more →]