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Freaky. They refer to Albany N.Y. as ‘the big city’ here.

If you aren’t aware of the plot, it’s a late, experimental variation on noir, about 2 grifters in the Hustler-Older Woman game. For reasons that seem to make no amount of sense, real life con-artists/lovers Martha Beck and Raymond Fernandez posed as brother and sister during their scams, their schemes allowing the 200-lb. Beck to accompany Hernandez and their target on ‘dates’ as a chaperone up to and after the ‘wedding’.

It’s an odd film, with primitive camera movements, clumsy direction and stilted dialogue. Conversation and character interaction seem to be second-thought here — almost every line is exposition. describing things that are going on off-screen. [Read more →]

Tags: Adaptation, Biopic, Crime, Drama, Film, Film Noir, Independent, Thriller by Victor Sparrow
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[WARNING:Uncharacteristically, this review is all SPOILERS, but this film is so well put together that you should consider my spoilers a feature, rather than a bug.]

Operation Paperclip Nazis working in criminal sanitariums off the coast of Washington State? Mind control? A WWII veteran and widower with PTSD? Visuals by David Lynch.

It’s 1951 in this film and the most unfortunate thing about Shutter Island is that Scorcese and writers Stephen Knight and Laeta Kalogridis decided that it’s okay not to make sense. They decide to just let go. Film is a visual experience and flourishes are flourishes, so why the fuck not? If your local cinemat can affor to spend $750k on a new 3D projection kit, you can sit and watch Martin Scorcese orchestrate some crazy in 2D. On Shutter Island, the Eater Eggs and Red Herrings run thick, wild and free. So wild, that you may want to pause and consider throwing a few back, before deciding which ones you want to take home to eat. [Read more →]

Tags: Adaptation, Crime, Drama, Fantasy, Horror, Meta-fiction, Thriller, War by Victor Sparrow
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With the publication of Watchmen in 1985, comic books took a sudden, dark and grity turn, similar to police drama after Steven Bochco’s ‘Hill Street Blues’. Like Grant Morrison’s ‘Doom Patrol‘, and later, ‘The Authority‘ and Marvel’s ‘Ultimates‘, ‘Watchmen’, the book is not about about capes and tights, but rather the misfits who choose to pursue auperheroics. In ‘Watchmen’, Alan Moore seizes upon the idea that great power might produce monsters — individuals devoid of values and restraint even as they fight the ‘good’ fight.

Terry Gilliam attempted to bring ‘Watchmen’ to life twice, once in 1989 and a decade later, in 1999. He gave up because he felt that the story couldn’t be adequately covered in 2 hours’ time and that the material might be better dealt with as a miniseries, Though there is no Gilliam ‘Watchmen’, I credit ‘Watchmen’ and it’s alternate-apocalyptic 1985 for the rich visual landscape of thr film that Gilliam went on to produce in the mid-’90′s, ’12 Monkeys’ (1995). [Read more →]

Tags: Action, Adaptation, Comic Book, Crime, Fantasy, Meta-fiction, Sci-Fi by Victor Sparrow
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Not just another X-Files knock-off. Really.

Before that damnable show went off the air 6 years ago, all of the major broadcast networks — NBC, ABC and CBS each tried to catch some of Chris Carter’s alt.conspiracy.ufo fire.

Fringe‘s distinction is that the show is hard science-fiction, a rare event for network television — HARD science-fiction, is based on real science, not fantasy, not urban mythology and not old Saturday matinée fare. Though there are plenty of whiz-bang moments in there, most of the spectacle on Fringe is derived from current available technology. [Read more →]

Tags: Action, Crime, Drama, Sci-Fi, Television by Victor Sparrow
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Christopher Nolan’s ‘The Dark Knight‘ is the latest addition to the trend of painfully overplotted comic book movies. I’m not exactly certain when the habit of inflating a paper-thin pulp story into a full-blown bildungsroman. But since the late ’80′s it’s been necessary for each comic book movie to have at least two villains and as many as 4. (Notably, Tim Burton’s 1989 movie only had one villain, The Joker.)

While this installment of Batman seems to be the most successful commercial film since James Cameron’s ‘Titanic‘, you’d think that such a movie would have to have a simple storyline to keep selling tickets at such a rapid pace, week after week. Not so, here. [Read more →]

Tags: Action, Adaptation, Comic Book, Crime, Drama, Fantasy, Film, Sci-Fi, Thriller by Victor Sparrow
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Did anyone see any advertising for the directorial debut of screenwriter Scott Frank last year? “Scott who?,” you say — and that’s where the problems begin…

The other sadness is that Mr. Frank, the award-winning writer of ‘Minority Report‘ (2002), ‘Out of Sight’ (1998) and ‘Dead Again’ (1991) got next to no promotional support for his debut feature. It was budgeted at $16M, took in $4M and slipped quietly beneath the waves 5 weeks later.

Problem is, Mr. Frank’s feature shared it’s opening weekend with last year’s Tarantino/Rodriguez double-feature ‘Grindhouse’ (2007) and it was released by the post-Weinstein Miramax and Spyglass Entertainment. [Read more →]

Tags: Crime, Drama, Film, Meta-fiction, Thriller by Victor Sparrow
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With the recent Eliot Spitzer bust and talk of the NSA’s ‘Total Information Awareness’ program back in the wind, I was compelled to take another look at Steven Spielberg’s ‘Minority Report‘.

I’d seen the movie and written another review of the movie back in 2002 and wasn’t so impressed with it — I felt that Spielberg had taken the Philip K. Dick material and slicked it up just a bit too much. When Ridley Scott adapted ‘Do Androids Dream of Electric Sheep‘ (cf. Blade Runner’ (1982)) [Read more →]

Tags: Action, Adaptation, Crime, Film, Meta-fiction, Sci-Fi, Thriller by Victor Sparrow
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Jeff Goldblum is back.

We’re going into the 5th week of “Raines” this week and sadly, it’s already half over. “Raines” was brought onto NBC as a mid-season replacement for ER, which was scheduled for a 6-week hiatus as the cast and crew split their 12th season. Several weeks ago, TV.com reported that NBC had already reduced their initial order from 13 to 7, which I’m sure is a disappointment to creator and producer Graham Yost, who’s last NBC show was the celebrated and lamented “Boomtown.” [Read more →]

Tags: Crime, Drama, Fantasy, Television by Victor Sparrow
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Filmed back in 2004, but left on the shelf for 3 years, ‘Ripley Under Ground‘ a/k/a ‘White On White‘ has been released on DVD in Europe.

Barry Pepper plays Ripley as a rock-star – long hair, a close shave and charisma to burn – and the tone of the thing is far lighter than any of the previous incarnations – ‘Purple Noon‘ ,’The American Friend‘, ‘The Talented Mr. Ripley‘, ‘Ripley’s Game‘, etc.

Some early reviewers have referred to it as a ‘comedy’, but it’s not, really. Unfortunately, the lighter tone actually hurts the film a bit, because this outing paints Mr. Ripley as less of a predator and sociopath than any of the Ripley films that have preceeded it. [Read more →]

Tags: Adaptation, Crime, Drama, Film, Thriller by Victor Sparrow
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The best new show of 2006 is on AMC.

“WTF?!”, you say? AMC, the home of endless Charles Bronson repeats and forgettable PG-13 80′s crap?

Yes, THAT AMC.

Hustle stars Adrian Lester (‘Primary Colors‘), Robert Vaughn (‘The Man from U.N.C.L.E.’) and Marc Warren (‘The Vice’) in a hip, new British caper-show that resembles ‘Mission Impossible’ by way of ‘The Avengers’. In this case though, the protagonists are con-men.

Lester is the ringleader, while Warren and Vaughn provide support and newcomer Jaime Murray provides distraction as resident femme fatale Stacie Monroe.

In many ways Hustle is a throwback to those stealthy policiers of yesteryear, when we’d dally with Mrs. Peel and John Steed as roguish British agents. But unlike the craptacular tv-show remakes of the late ’90′s, Hustle is all about the writing. [Read more →]

Tags: Action, Comedy, Crime, Television, Thriller by Victor Sparrow
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