Cineblog.us

Freaky. They refer to Albany N.Y. as ‘the big city’ here.

If you aren’t aware of the plot, it’s a late, experimental variation on noir, about 2 grifters in the Hustler-Older Woman game. For reasons that seem to make no amount of sense, real life con-artists/lovers Martha Beck and Raymond Fernandez posed as brother and sister during their scams, their schemes allowing the 200-lb. Beck to accompany Hernandez and their target on ‘dates’ as a chaperone up to and after the ‘wedding’.

It’s an odd film, with primitive camera movements, clumsy direction and stilted dialogue. Conversation and character interaction seem to be second-thought here — almost every line is exposition. describing things that are going on off-screen. [Read more →]

Tags: Adaptation, Biopic, Crime, Drama, Film, Film Noir, Independent, Thriller by Victor Sparrow
No Comments »

‘W.’ is unlike every other film Oliver Stone has made. Typically, Stone uses his biopics as a window onto American history — lived history and what those characters meant within their historical context — ‘Salvador’ was as much about the Reagan era as ‘The Doors’ was about the Johnson era and the mission creep of the Vietnam War. The thing about ‘W.’ is, is that there is neither frame, picture nor metaphor: The George W. Bush presidency is the present, there is no complete, objective view of what he has meant to the country other than $2 trillion dollars in aggregate debt and the fulfillment of Republican tropes about an ineffective and failing Federal Government and its too soon to know if the lessons of Bush II will reverberate in the rest of the culture. [Read more →]

Tags: Biopic, Drama, Film by Victor Sparrow
No Comments »

I was disappointed with Summer Palace.

That’s not to say that there aren’t impressive things going on in it — it just seems that my expectations became distorted after what seemed to me an elaborate and meticulous emphasis on direction and production design to refer to European nouvelle vague films that goes entirely nowhere.

In the disk’s promotional blurb, the film is described as a first-hand account of Tianamen Square in Beijung, c. 1989. [Read more →]

Tags: Biopic, Drama, Film, Foreign, Meta-fiction by Victor Sparrow
No Comments »

‘Charlie Wilson’s War’ is a tricky film to write on, because I have both a Proustian relationship with the material and a more generalized, historical appreciation for the the effort that writer Aaron Sorkin and director Mike Nichols have accomplished.

The week before I saw ‘Charlie Wilson’, I had watched ‘Nineteen Eighty-Four‘ again, only to discover what seemed to be a waterboarding administered to Winston by O’Brien.

The past is prologue. [Read more →]

Tags: Adaptation, Biopic, Comedy, Drama, Film, War by Victor Sparrow
No Comments »

‘The Heart is Deceitful Above All Things‘ is the eponymous title of the book by fictional author JT LeRoy and the movie adapted from it by actress, writer and director, Asia Agento, the daughter of Italian horror director Dario Argento.

Based on the work of author JT LeRoy a/k/a Laura Albert and her fictional male childhood in the itinerant trailer-parks of West Virginia. Back in 1996, LeRoy became something of an overnight sensation, after the publication of several stories and two subsequent novels, ‘Sarah’ (1999) and ‘The Heart is Deceitful of All Things’ in 1999. But JT LeRoy does not exist.

Like James Frey’s ‘A Million Little Pieces‘, ‘Heart’ is a piece of fiction dreamed up by an author with an assumed identity [Read more →]

Tags: Adaptation, Biopic, Film, Meta-fiction by Victor Sparrow
No Comments »

‘You’re Gonna Miss Me‘ is a 2005 biopic on musician Roger ‘Roky’ Erickson (b. 1947) ,the former front-man of the groundbreaking, late ’60′s psychedelic band, The 13th Floor Elevators (1965-69). However, the way in which the filmmakers depict him, one would assume that Erikson’s creative life is behind him, which both untrue and unfortunate.

Documentarian Keven McAllester does a satisfying enough job of tracking Erikson’s youth and early music career, before arresting his musical inquiry to dive into a disquisition on the singer’s mental illness and the 17 years he floated in and out of Texas’ Mental Health Care system and the care of friends and family.

Apparently, Erikson discovered LSD in the early ’70′s and it triggered some nascent schizophrenia that Erikson had been walking around with his entire life. At this point – the 20 or 30 minute mark – the film becomes a bit too much like Terry Zwigoff’s ‘Crumb‘ (1994) and the filmmakers take too much of an interest in Erikson’s schizophrenia, twenty years of institutionalization and his eccentric family, specifically his Mother Evelyn and his brother, Sumner. And this is where the documentary seems to go wrong. [Read more →]

Tags: Biopic, Documentary, Film by Victor Sparrow
No Comments »