‘The Twelve’. Vol. 1 by J. Michael Straczynski

The interesting thing here is that Marvel has taken an entire team of early Timely Comics heroes from the 1940s and Steve Rogers’d them. Instead of one guy caught in the ice and revived 20 or 30 years later, it’s 12 characters and 60 years.

Many of these characters’ abilities seem to overlap in and only half of them have actual powers, but this is a pretty good read. They’re all fish out of water and like Alan Moore’s Watchmen, many of them have dark pasts. Unlike Moore’s super-team none of the characters anticipate contemporary Marvel or DC heroes — there is no Tony Stark, no antediluvian archers and there are no pantheon members or mythological figures. [Read more →]

‘Breakfast at Tiffany’s’ (1961)

Dbreakfast at Tiffany's (1961)Has anyone ever appraised this films as anything but a sunny Audrey Hepburn vehicle? It’s one hour and 55 minutes of dissonance. Audrey Hepburn and George Peppard play two characters who are, by all appearances middle class yuppies living in Manhattan during the early ’60s. But this would be a mistake.

In the eponymous Truman Capote novella it is clear that Holly is a high-end call girl and Paul a gigolo. Blake Edwards’ film supresses the gauche details by making Peppard and Hepburn squeaky clean.

The juxtaposition between who these two characters appear to be and how they earn their money percolates in and out of focus as the story proceeds: [Read more →]

To Have and Have Not (1944)

Though this film bears the same title as Ernest Hemingway’s 1937  novel of the same name, it bears few similarities to its source material. I won’t fake any Hemingway scholarship here, only make a few observations:

The screenplay is written by Jules Furthman and William Faulkner, which feels like a bit of a tragedy, given that THaHN feels like most insipid kind of corporate, commercial film making. More on that later. Directed by Howard Hawks, it doesn’t seem to have a tonal center, as the noir elements don’t pay off.

Shot in 1944, while WWII was still raging and 2 years after  Casablanca (1942). THaHN is both an odd sort of  mirror and deconstruction of former. Bacall’s character, Marie ‘Slim’ Browning is definitely a person that you’d want to keep in front of you at all times. [Read more →]

‘The Thing’ (2011)

Matthijs van Heijningen Jr.’s ‘The Thing’ (2011) is nominally a prequel to the 1982 film of the same name by John Carpenter. Carpenter’s film was a remake of remake of Howard Hawks’ ‘The Thing from Another World‘ (1952), itself an adaptation of John w. Campbell’s novella, “Who Goes There?” (1938).

Despite the fact that 30 years separate both Heijningen’s prequel and Carpenter’s remake, that intervening 30 years was not enough time for Universal to figure out what made the first 2 films into the classics that they are. [Read more →]

‘Return of the Living Dead III’ (1993)

Zombie girlfriends, rebellious teens, fast cars, motorcycles and gunplay. To spell it out that way, it almost sounds like some other movie. Some other, equally improbable movie.

Of course, it’s just the 3nd sequel to George Romero and John Russo’s Night of the Living Dead (1968)  but this film belongs to the dramedy fork of the franchise that Russo took when he and Romero went their separate ways.

Of course, RothLD 3 was written, directed and produced by ’80s low-budget schlockmeister and H.P. Lovecraft aficionado, Brian Yuzna. Unlike it’s predecessors, it abandons the full-on campy excesses of predecessors Dan O’Bannon (Alien, Lifeforce, Total Recall)  and Ken Wiederhorn to inject the tragic pathos of teenage romance into the mix, and somehow it works marvelously. [Read more →]

Tentpole Genre Releases 2011

graves over at Nerd Blerp has put together a list of 2001 releases to anticipate and avoid.

The titles that stand out are as follow:

‘The Rite’ (January 28)
‘Captain America’ (July 22)
‘The Adjustment Bureau’ (March 4)
‘Thor’ (May 6)
‘X-Men: First Class’ (June 3)
‘Green Lantern’ (June 17)
‘Cowboys and Aliens’ (July 29)
‘Immortals’ (November 11)

Trailers are available on the Nerd Blerp site.

‘Tron: Legacy’ (2010) in IMAX 3D

There are a lot of cool and interesting things about ‘Tron: Legacy’: The visual updates on the conceptualization of the digital world first presented in the 1982 original; the sound design; the fact that a completely different production team got Jeff Bridges, who doesn’t normally do movies just for a pay check, to agree to appear in a sequel; the costume design; even the fact that a major movie studio (Disney) would take on a film that toys with something as box office toxic as moral themes. None of these things, however, are the coolest thing about ‘Tron: Legacy.’ [Read more →]

5 Upcoming Genre Features, 2010-12

via Squidoo.com

Captain America: The First Avenger‘ (2011) • IMDb linkCaptain America:The First Avenger

This one’s a bit contentious — Joe Johnston, who directed The Rocketeer way, way back in 1991 should have been a good choice to direct a period piece about Marvel’s Captain America set during WWII. But then, Johnston turned in the pointless and unnecessary Wolfman remake this past year, and then cast Chris Evans (Fantastic Four‘s Johnny Storm) as Steve Rogers, rather than  Mark Valley, (‘Human Target’) an actor born for the role.

Understandably, Marvel and Disney are reaching for a younger actor for the role, but I really dobt that those 18-49 women should be the marketing department’s target. Rather, the target audience ought to be 4 generations of American men aged 7 to 70 that Marvel ought to be aiming for. That, and the fact that 25 year-old Evans will have to go up against 46 year old Robert Downey, Jr., Chris Hemsworth and Samuel Jackson in ‘The Avengers‘ (2012) and make it somehow appear that they are peers. [Read more →]

“Boardwalk Empire” (2010)

Boardwalk Empire is this Fall’s new HBO drama starring Steve Buscemi as Enoch “Nucky” Johnson (1883–1968), Atlantic City’s Prohibition-era Mayor. The combination of boardwalk Carney hijinks and organized crime here make this into vintage HBO — an interesting cross between Carnivale and The Sopranos. Martin Scorcese directed the 70 minute pilot.

The unsurprising thing is that it works really, really well. The Prohibition-era paradigm shift is similar enough to our own era of ascendant faith to make it relevant. The first scene features Buscemi’s Johnson speaking before a local Temperance group and the environment is as colorful and bannered as a Baptist tent revival. As colorful as Johnson’s life of whoring, dealmaking as the mayor and political boss of New Jersey’s Sin City. [Read more →]

‘Never Let Me Go’ (2010)

When writer-director Robert Fiveson created ‘Parts:The Clonus Horror‘back in 1979, I’m sure he had no idea he was creating one of the most enduring science-fiction memes of the late 20th and early 21st century.

To summarize Parts, a group of young people are born, grow up and live in carefully controlled environment, wherein their every desire is indulged, yet their every behavior is monitored by the powers-that-be until such time they receive a call and it’s time for them to emigrate to the utopia of “America.”

Of course,  America is just a lie and all of these bright, young, ambitious kids are just the spare-parts clone-farm of an aging, wealthy, politically-connected elite that created the desert haven of Clonus as an organ-bank to extend their own lives. But the kids are aware of none of this — they are simply caught up in the celebration of their young lives, until the day that they are summoned to ‘America’. [Read more →]